In 1998, Milstein co-founded the Humpty Dumpty Institute, which engages with congressional leaders and the U.N. on global issues. She is a longtime donor to Democratic causes, according to the Federal Elections Commission, having made hundreds of donations to candidates and Democrat-affiliated committees in recent decades. She’s also supported the campaigns of some Republicans, including former Sens. Bob Corker (R-TN) and John McCain (R-AZ), as well as Sen. Lisa Murkowski (R-AK). Days after the 2020 Democratic National Convention, Milstein made a contribution of $725,000 to the Biden Victory Fund. #Constance_Milstein #DNC #Arizona #HDI #UN #fundraiser #Elections #FEC #politics
olgasaysstaytuned
“The venue is the north-west Washington home of Constance Milstein, who is part of the Milstein family, and controls Ogden CAP properties with her brother.” #ConstanceMilstein #Huma #AnnaWintour #Diane_von_Furstenberg #HDI #fundraiser #fashion dailymail.co.uk/news/ar…
Democratic representatives Adam Schiff, Debbie Wasserman Schultz, and Maxine Waters are just three elected officials who sit on the congressional advisory board of a foreign policy think-tank led by Jeffrey Epstein’s brother, Mark Epstein. #Maxine_Waters #SheilaJackson #Debbie_Wasserman #politics #HDI #Epstein
dailycaller.comAdam Schiff, Debbie Wasserman Schultz Advise Think Tank Led By Jeffrey Epstein’s Brother
The January 1995 issue of (U.S.) Vogue featured Helmut Newton photos of Auermann posed as a person with leg disabilities, such as being in a wheelchair, using crutches and wearing leg braces. In one photo, using visual effects, it looks like she has one leg, while her “missing” leg is detached and posed upright next to her. In the documentary, Auermann (who is able-bodied in real life) remembers the public reaction being a “shitstorm” because people thought that the photos were making a mockery of disabled people. #model #photographer #Auermann #Newton #Vogue #DoubleStandard #disability
Vogue’s Wintour (who worked with Helmut for many years) says in the documentary, “If you were to give an assignment to Helmut, you weren’t going to receive a pretty girl on a lovely beach. That’s not what he was about.” She adds that Vogue expected that photos from him would be “iconic, sometimes disturbing, certainly thought-provoking … You might consider it brave, but I would consider it necessary.” She says that his photos were needed as a counterpoint to the overly glamorous, fantasy-level type of photos that proliferate in fashion.
teachingamericanhistory… little patience, and we shall see the reign of witches pass over, their spells dissolve, and the people, recovering their true sight, restore their government to it’s true principles.”